# Realistic terrain with heightfields

A heuristic workflow using the heightfield tools, based on experience generating realistic-looking terrain.

## Overview

This page describes a general, heuristic workflow for generating natural-looking terrain using Houdini’s heightfield tools. At its most basic, terrain generation uses the following steps:

## Massing

Massing involves blocking out the large-scale structure of the terrain in three dimensions. For example, in a mountainous terrain, how much space the mountains will occupy, the shape of the space they enclose, where the mountains are higher and lower.

In heightfields, this means creating a basic, low-resolution field that has the general characteristics of the final terrain. The surfaces can be smooth or blocky at this stage, we’ll add noise later.

You can creates masses in several ways:

• Paint directly into the heightfield.

• Project 3D geometry into the heightfield.

• Import 2D images (Liday, GeoTiff, image maps, COPs) into the heightfield (pixel intensity is used as height).

## Seeding

Seeding is the process of adding small disturbances to smooth surfaces to make them more natural. The less smooth the surfaces, the more realistic erosion will be later.

Simply adding overall noise to the field alone, or projecting large-scale geometry alone, often does not create enough "obstacles" (features that water and soil must move around) to create interesting erosion. Seeding is about adding those obstacles.

One useful trick is to create a 3D model of a large field of random jagged rocky shapes (for example, using the Mountain SOP), then painting a mask on your heightfield (with falloff) and only projecting the rocky geometry into the masked area. Then add Distory by Layer or Distort by Noise on top of that.

## Lobing

Mountain formations are often broken into smaller sections, which can be thought of as lobes. Lobing is the process of taking a low resolution heightfield and using Heightfield Erode to cut a mountain into smaller sections.

Turn up precipitation, cut angles, and sediment capacity on the Erode node to get the cutting effect.

Before lobing

After lobing

## Remapping

Remapping involves repeating the massing/seeding/lobing steps multiple times to create different levels (for example foothills, low mountains, high mounbtains).

The trick is to build your terrain in "Elevation Passes". After the previous Heightfield Erode, add a Heightfield Remap and remap the elevation, compressing the field vertically. Then repeat the massing/seeding/lobing step over top of the previous now-compressed contents.

## Upsampling

When you're finished "lobing" you need to upsample the heightfield to a higher resolution so erosion has greater detail.

Use Heightfield Resample to double the field’s resolution. (You will probably want to iterate this process so do not resample to high at first.)

## Shaping

The Shaping involves adding geologic features using Heightfield Terrace and Heightfield Clip.

Using masks, you can Clip to top off mountains, and add terracing to certain areas to create more interesting variations for erosion.

## Re-seeding

Re-seeding is a repeat of the earlier seeding operation at a higher resolution. You want to add more obstacles that will force erosion to change direction.

## Erosion

Now use the full power of Heightfield Erode to start getting the look you want. It will take some practice to learn what effect the various settings have, but often there are no "right" settings. Try extreme settings sometimes and see what you get. All that matter is the result looks interesting and natural.

Along with the high-level Heightfield Erode node you can use nodes representing the individual erosion types: HF Erode Thermal, HF Erode Hydro, and HF Precipitation.

You will probably want iterate on this step a few times.

## Final

Once you have the terrain you want, you can move on to shading the terrain and scattering rocks and trees.

The Heightfield Quickshade node gives you a simple material setup on your terrain quickly.

The Heightfield Scatter lets you scatter points for instancing across the terrain.

• You can control the scatter with masks.

• You can do a hierarchical scatter that prevents overlap of different scales.

• You can add variant attributes to the points so, for example, they are instanced with different tree types or rock shapes.

# Geometry

## Understanding

• Describes how Houdini represents geometry using details, primitives, points, vertices, and attributes.

## Modeling

• In Houdini you can not only edit the parameters of a surface node, you can reselect the geometry the operation applies to.

• Tools on the Polygon tab let you modify polygons in the scene view.

• Tools on the Model tab let you edit objects in the scene view.

## Terrain

• How to use Houdini’s height field tools to generate realistic terrain.

• A heuristic workflow using the heightfield tools, based on experience generating realistic-looking terrain.

## Fracturing

See RBD Fracturing in Dynamics.

## Next steps

• The appearance editor mode of the data tree pane lets you edit various controls for object viewport/rendered appearance in one place.

## Guru level

• You can mark a chain of compilable SOPs as a compiled block which can execute much faster in parallel.

• Many geometry (SOP) nodes allow you to use them in Python scripts to generate geometry programmatically.