Part 3 - Final touches, adding fur and using color data in mantra, we will see how cached data can be changed and manipulated to speed up the whole process, we even add fur to plant body as a key help to sell realism of our creation,

We create this ferns with their growing effect with insane amount of details in tow hours just to check what is possible in real production, where you have lot more time to create art work of yours!



It's about 20 years now since I started learning computer graphics, and I have done everything from creating digital environments, hard surface modeling, look development to today, where I create 3D motion design, TV commercials and NFTs. My career had lots of different aspects. An environment I created for a short film won the Award of Excellence on back in 2014. As I learned and progressed, I took on the responsibilities of a CG creative director. I was nominated and awarded winner in several festivals and was invited to jury at the WINA festival in 2020. In recent years, I also focused a bit more on generation of fractals and growth motion. While it may seem abstract, but the idea of growing and patterns has always fascinated me and it is one of the main driving factors that has lead me to becoming not only a digital artist, but also a toolmaker. This is possible in part, due to my journey into Houdini since 4 years ago, and developing the tool called GrowInfinite.

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