Course Description
In this Houdini Essential series, we are going to take a look at rendering realistic-looking oceans and whitewater.
We will learn how to create custom shaders from scratch to effectively render our ocean using mantra in a photorealistic manner. We will talk about the importance of environment lighting. This will be followed by taking a look at the shader for whitewater and different pscale techniques. We will also setup custom AOVs for our ocean and whitewater renders.
Last but not the least, we will take our renders in Nuke for deep compositing where we will take a look at shuffling of passes, deep holdouts, color correcting, and 2D camera shake.
This course has been designed for intermediate to advanced Houdini users. Basic knowledge of ROPs and rendering, in general, is needed even though we will be creating everything from the scratch.
Upon finishing this course, an artist will be very familiar with the process of creating realistic-looking custom shaders and deep comping them using Nuke.
Course Structure
Chapter 1 - SCENE SETUP
- Cache Prep - Setting up our new geometry nodes with object merges to streamline the process for rendering.
- Mantra - Setting up basic mantra nodes for all the elements.
- Lights - Setting up our dome light in preparation for the shader.
Chapter 2 - SHADING AND RENDERING
- Water Shader - Setting up a custom ocean shader.
- Mantra Image Planes - Setting up our image planes and AOVs for our ocean render. This will include the velocity and vorticity passes.
- Water Bed - Setting up our custom water bed for realistic refractions.
- Cliff Geo - Applying textures to the cliff geometry with bump and displacements.
- Ship Geo - Applying textures to the spaceship geo with specular maps.
- Phantom Objects - Making sure that our water render reflects cliff and ship geo.
- Wet Map - Creating a wet map pass from scratch to use it in compositing later.
- WhiteWater Pscale - Understanding the concept of pscale for particle rendering.
- WhiteWater Shader - Creating a custom shader for whitewater points and setting up mantra and lights for it.
Chapter 3 - DEEPS AND COMPOSITING
- Deeps Rendering - Understanding and setting up deeps for all our mantra renders in Houdini so we can use them in Nuke to do deep compositing.
- Deeps and Shuffle- Understanding the basic concepts of deep renders and shuffling out different render passes inside Nuke
- Cam 1 - A run down of the Nuke setup to learn an efficient way of compositing heavy fluid scenes from camera 1.
- Cam 2 - A run down of the Nuke setup to learn an efficient way of compositing heavy fluid scenes from camera 2.
My name is Ari and I am a Senior FX TD at Sony Pictures Imageworks. My area of focus is simulating FX for films and tv. I have been working with Houdini since last 8 years and haven’t looked back since. I believe Houdini gives me the ability to create artistic images while retaining the technical control. Some of the projects I have worked on are: Stranger Things 2, Aquaman, Detective Pikachu, etc.
COMMENTS
OneBigTree 3 years, 3 months ago |
Rendering fluid and especially whitewater Redshift would be more interesting for many....
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